The track hints at the more accessible rock direction the band were moving toward, but it still brought the heaviness of past records. Quintessence (Best Song): Opener and lead single “Black Tongue” got the hype rolling for The Hunter. Even if it’s their weakest full-length, it exemplified a band taking a brave career leap, naturally evolving and refusing to recycle its own ideas. Who could blame the band for wanting to craft a more consumable product to the masses? They’d already carved three masterpieces, and one thing’s for certain - The Hunter isn’t redundant. Three LPs into their major label partnership with Reprise, the band were settling into a more mature, mainstream sound.
Yet, fans got the sense that Mastodon were pumping the brakes and easing off the more complex blend of prog-psych riff mastery that defined their first four albums.
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Of course, 2006’s Blood Mountain followed, offering a superbly colorful, elaborate, and zany full realization of that recipe. However, it’s hard to disagree given the foursome’s unparalleled knack for channeling influences like Iron Maiden, Neurosis, Pink Floyd, and King Crimson into wholly characteristic concoctions of vibrant sludge/stoner/progressive metal madness.įrom the beginning - with 2002’s savage Remission and 2004’s more sophisticated Leviathan, the group - comprised of singer-bassist Troy Sanders, singer-guitarist Brent Hinds, singer-drummer Brann Dailor, and guitarist Bill Kelliher - showcased a singular ability to fuse thunderous temperaments with remarkable melodic flair and toweringly epic scopes. That’s no small feat considering how many forward-thinking acts are out there. Ītlanta quartet Mastodon have spent 20-plus years as one of the most daring, dexterous, and delightfully badass metal bands of the new millennium. This time, we follow Mastodon’s impressive career, from their 2002 debut, Remission, to their most recent effort, 2021’s Hushed and Grim. It’s exact science by way of a few beers. Welcome to Dissected, where we disassemble a band’s catalog, a director’s filmography, or some other critical pop-culture collection.